Only Murders in the Building Season 3: A Comprehensive Review
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Chapter 1: Introduction to Only Murders in the Building
In this review, we explore the third season of Only Murders in the Building. With its stunning art direction and impressive supporting cast, the series effectively counters the issue of a gerontocracy.
My name is Doz, and I confess to being an addict of short courses. When the MasterClass platform debuted, I eagerly enrolled in classes by figures like James Patterson, DJ "Deadmau5," and astronaut Chris Hadfield. I also decided to take a course from Steve Martin, despite never having read any of Patterson's novels, lacking musical training, and having no plans to try stand-up comedy.
Shortly after these hefty purchases—equivalent to the GDP of a small country—the platform revamped its pricing structure to a monthly subscription model. As a gesture for my extravagant spending, they offered me a year's free subscription.
At that time, the platform had significantly expanded its roster. Initially, it seemed limited to a basic LA-centric concept of literature, represented by Patterson. Now, it features notable authors such as Margaret Atwood, Judy Blume, and R.L. Stine, with Neil Gaiman also contributing a course.
Once my free year expired, I felt tempted to return, particularly for N.K. Jemisin’s class and another on pastry-making. While I have access, I might as well check out what Serena Williams offers about tennis, even though I barely play the sport. I digress.
Interestingly, the courses by Steve Martin and Neil Gaiman have started to frame my perception of them. This impression has intensified as both have successfully adapted their talents for new media formats aimed at digital platforms.
Section 1.1: The Connection Between Shows
The core theme linking Good Omens and Only Murders (beyond their creators both offering MasterClass courses) is the engaging chemistry of their male leads. Good Omens features the dynamic duo of David Tennant and Michael Sheen, while Only Murders shines with the charisma of Martin Short and Steve Martin.
Recently, I've been grappling with the notion of Neil Gaiman as the greatest living author. This isn't just due to his position being threatened by Haruki Murakami possibly winning the Nobel Prize for Literature. Gaiman's writing is indeed top-notch. Instead, I question the idea that one White Male Englishman can encapsulate everything we consider valuable in creativity. Gaiman, in many ways, reminds me of a whimsical horse darting through various establishments—versatile, yet perhaps overly reliant on style over substance in his storytelling.
Subsection 1.1.1: Examining Good Omens Seasons
The contrast between Good Omens: Season One and Season Two illustrates my point. The first season had a clear direction, centered on a satire of the film, Omen. The second season, however, lacked that focus, resembling a collection of ideas without a cohesive narrative, reminiscent of Hot Shots 2. In fact, while Hot Shots 2 had a purpose—being a spoof of Rambo—Good Omens: Season Two felt more like a pastiche lacking depth.
This shift highlights the unique talent of Terry Pratchett, whose vision and humor are irreplaceable. Gaiman struggles to fill the void left by Pratchett, which is understandable given the enormity of that task.
Chapter 2: The Strengths of Only Murders
The first video, titled "Only Murders In The Building Season 3 Review: Best Season Yet?!", offers insights and analysis on the latest season, discussing its themes and character development.
The second video, "Only Murders in the Building Season 3 REVIEW - NO SPOILERS," provides a spoiler-free overview, perfect for new viewers.
The main advantage of Only Murders is Selena Gomez, who significantly improves in Season 3. Previously, her performance felt somewhat stilted, but this time, she embodies her character, Mabel, effectively counterbalancing the exuberance of Martin Short and Steve Martin. It appears she has found her footing and genuinely enjoys being part of the show.
However, the portrayal of young characters raises concerns, particularly with the show's concept of youth tethered to the Mickey Mouse Club from 2002—over two decades ago. It's challenging for talented young individuals to find their footing in today's America. An article from Salon highlights this generational issue:
"Biden became, at the moment he took office, the oldest president ever, and all three of the most senior members of House Democratic leadership—Speaker Nancy Pelosi, Majority Leader Steny Hoyer, and Majority Whip Jim Clyburn—are over 80. At 71, Senate Majority Leader Chuck Schumer is comparatively young. Minority Leader Mitch McConnell is 80."
We are witnessing a significant transformation in show business, with some unexpected beneficiaries. Biden's campaign effectively co-opts cultural memes, such as Dark Brandon. Interestingly, traditional television is being rejuvenated by ideas once deemed too experimental. The infectious enthusiasm of the older cast members in Only Murders is commendable.
The scene featuring the performance of "Which of the Pickwick Triplets did it?" stands out as some of the funniest content I've seen recently. Season Three serves as a tribute to theater and musicals, and I applaud the creators, writers, performers, and technicians for delivering such a profound theme.
Despite expectations that platforms like Netflix, Disney+, and Hulu would focus on short-form content, they have surprisingly reinvigorated the careers of established figures like Nancy Pelosi and Dianne Feinstein—those who already had a foothold in the entertainment industry.
This season excelled in attracting talent such as Paul Rudd, who adds emotional depth to the story, and Meryl Streep, whose performance is consistently outstanding. Michael Cyril Creighton also impresses as Howard Morris, proving to be a standout among the talented ensemble.
Section 1.2: Celebrating the Art and Design
What captivates me about Only Murders, beyond the narrative, is the character design and art direction. Similar to They Live, this series intricately incorporates exceptional graphic design into its storytelling. The show features clever product placements and in-jokes, with their labels often highlighted in the credits, which showcase a crisp New York typeface.
My personal style aligns well with writing about graphic design, which reignited my passion for online courses. I've enrolled in numerous classes covering various topics, from character creation for video games to painting pin-ups.
Not surprisingly, I discovered that Laura Perez, the artist behind the stunning character art in Only Murders, is offering a digital course. However, I have yet to enroll.
[P.S. I am not affiliated with any online learning platforms, including MasterClass and Domestika. I do, however, have some questions for their executives.]