In recent academic discourse, a significant stir has arisen due to the Netflix series Ancient Apocalypse, which presents Graham Hancock's alternative viewpoints on historical timelines. Hancock suggests that conventional historical accounts may not encompass the full scope of our past, implying that there are narratives that predate those accepted in scholarly circles. Compared to Hancock, Steve Mera's arguments come off as even more provocative. The tension among academics and scientists may stem from the fear that conceding to Hancock's perspective could open the door to considering ancient alien theorists like Mera.

History is often messier than it appears. For instance, Friedrich Miescher's discovery of the DNA molecule in 1869 is overshadowed by the fame of James Watson and Francis Crick. This brings to light another overlooked aspect of history, as discussed in Hancock's Aliens, Atlantis & the Apocalypse series, where it is noted that ancient alien theories have been entertained by respected scientists.

Dr. Francis Crick, a notable figure in molecular biology, made a compelling case in his book Life Itself: Its Origin and Nature, where he argued that the complexity of DNA could not have evolved on Earth alone. He proposed that life on our planet originated from extraterrestrial sources through a process he called panspermia. This raises the question: why do scientists and academics resist ancient alien theories when one of their own has suggested similar ideas?

Mera provides a stunning visual history of UFOs, much of which may seem familiar to enthusiasts. His evidence suggests that many cultures have documented encounters with non-human intelligence (NHI) over thousands of years, from ancient petroglyphs to medieval illustrations depicting aerial battles.

Although skeptics might dismiss Native American rock art as mere coincidence, Mera argues that the depictions reflect genuine encounters with UFOs. The notion of pareidolia—seeing familiar shapes in random patterns—doesn't necessarily apply here. The correlation between various cultures' paranormal experiences, including sightings of cryptids and unexplained lights, supports Hancock's assertion that flood myths exist across civilizations.

Throughout history, numerous accounts have been suppressed or modified, often due to cultural biases. The arrival of European colonizers led to the destruction of evidence that contradicted their worldview, as seen with the Spanish and French conquests in South America.

Mera's presentation compiles an extensive array of historical images depicting UFOs, challenging viewers to reconsider what has been dismissed as mere folklore. The evidence spans from ancient cave paintings to artworks resembling modern technology, suggesting that humanity has long had interactions with advanced beings.

In contemporary discussions, the acknowledgment by government officials regarding the reality of UFOs indicates a growing acceptance of these phenomena. The notion that UFOs are merely figments of imagination is becoming increasingly untenable, as both military personnel and journalists recognize their prevalence.

The desire for a deeper understanding of our origins beyond traditional narratives fuels public interest in ancient alien theories. Many people seek answers that extend beyond the limitations of conventional science, prompting calls for full disclosure regarding extraterrestrial encounters.

Ultimately, the exploration of ancient aliens challenges us to reconsider our understanding of history and our place in the universe. As Mera highlights, we may not be alone, and the implications of this realization demand a more open and honest dialogue about our past and future.