Accidental Remote Viewing: Unraveling Cosmic Mysteries
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Chapter 1: Understanding Remote Viewing
From the standpoint of a Consciousness First perspective, the concepts of past and future dissolve into a continuum of temporal experiences filtered through individual personalities. In this exploration, I will revisit an earlier idea discussed in my essay, "Indirect Evidence of Remote Viewing," which I have now expanded to include a new point of interest: a 1947 concept art piece titled "Face on Mars," created by Isamu Noguchi. While this piece might seem coincidental in isolation, when considered alongside an unusual collection of coincidences, it becomes evident that it is more than mere chance. Can it be that artists inadvertently tap into a form of remote viewing?
Joseph Phipps, the host of "Library of Untold," argues that the term "woo" is an overly simplistic dismissal of phenomena that lie outside conventional scientific understanding. His eloquent critique highlights the limitations of a rigid scientific paradigm. I highly recommend checking out his work. Since our focus is on Mars, take a look at this insightful video:
Phipps presents compelling evidence that, while perhaps anecdotal, can still undergo qualitative analysis. Neil deGrasse Tyson, known for his skepticism, once stated that science is indifferent to emotions. Yet, his dramatic reactions suggest a different narrative. Why do people resort to extreme expressions of frustration? One might wonder if we are all just one storm away from existential awakening.
In a world where Noguchi was profoundly affected by the atomic bomb, he envisioned a monument intended to be visible from Mars, a reminder of humanity's existence long after we are gone. His original design was crafted in sand, and here is the last remaining photograph of this vision:
Noguchi's intention was not to claim that the monument was on Mars, but rather to communicate that we should leave a mark for the cosmos as a testament to our existence. The irony deepens when we consider NASA's findings related to Mars, particularly the presence of the isotope 129Xe, which is produced solely through nuclear explosions. This suggests a significant historical conflict that may have occurred on Mars.
While it is widely accepted that Mars once harbored life, some scientists speculate that life on Earth may have originated there. Ray Bradbury's "The Martian Chronicles" poignantly concludes that we are, in essence, Martians. Could this be an unintentional revelation?
Let's entertain the notion that if we can hypothesize about the past, we might also construct a model of Consciousness First paradigms that could clarify every paranormal account throughout history. This aligns with Michael Talbot's "The Holographic Universe," a groundbreaking philosophical work. However, until I can recall the source, this remains speculative: Talbot claimed to have received the content of his book as a 'download.' Are such 'downloads' akin to the revelations that have inspired humanity's greatest inventions? Why isn't the scientific community more inclined to embrace the visionary aspects of our subconscious?
Perhaps it is because our deeper, intuitive selves feel 'alien' to us.
Noguchi's work may have been a coping mechanism, a recognition of humanity's propensity for self-destruction. Carl Jung suggested in his writings about UFOs that we are perhaps birthing a superior intelligence to guide our maturation. He questioned how these entities could appear on radar if they are archetypes. If both statements hold true, then we may not only be able to remote view potential futures but also influence them.
Section 1.1: Historical Parallels
Consider the uncanny similarities between President Abraham Lincoln and President John F. Kennedy. Both were elected to Congress a century apart, each concerned with civil rights and tragically assassinated on a Friday, shot in the head by southern individuals. Their secretaries even exchanged names: Miss Kennedy and Miss Lincoln. This alignment raises questions about the nature of fate and whether historical echoes repeat themselves.
Subsection 1.1.1: Coincidence or Connection?
As I contemplate the eerie parallels, it begs the question: Are they mere coincidences or do they hint at a deeper connection? The narrative of Lincoln’s and Kennedy’s lives and deaths serves as a poignant reminder of the cyclical nature of history.
Section 1.2: The Cosmic Perspective
In closing, I reflect on the idea that while scientists often dismiss these phenomena as coincidence, we must remain open to the possibility that the universe operates in ways beyond our comprehension. The notion of synchronicity, introduced by Jung, suggests that the universe is more interconnected than we perceive.
Chapter 2: The Future of Humanity
As I conclude this discourse, I ponder whether the future holds a reflection of our current selves. The evolution of crabs, a phenomenon dubbed carcinisation, serves as a metaphor for humanity's potential paths. Are we destined to become a future version of ourselves that we cannot yet fathom?
The works of science fiction authors may not just be imaginative storytelling but could also serve as prophetic glimpses into what lies ahead. The enigmatic sunken object beneath the Baltic Sea raises further questions about our understanding of existence and our role within the cosmos.
Let's remain inquisitive as we navigate these mysteries, and in doing so, perhaps we can avoid the fate of becoming the future's crabs or Morlocks.